
In commemoration of the 40th anniversary of Woodstock, Rolling Stone is re-issuing the stories of its coverage of the event on the web site.
Check it out...
The Woodstock Festival : Rolling Stone
A blog for my students in ENG 400, "Woodstock: A 40-Year Retrospective in Popular Culture
and Counterculture," a seminar that I'm teaching during the Spring 2009 semester
at West Chester University of Pennsylvania.






Read more...
http://www.contactmusic.com/news.nsf/article/james%20regrets%20woodstock%20snub_1095523
http://www.spiegel.de/international/germany/0,1518,606886,00.html

Read more...
http://www.usatoday.com/life/books/news/2009-01-25-1969-book_N.htm
Read more...
http://www.google.com/hostednews/ap/article/ALeqM5i9rZ_yYn6PuxmBik79yl12vSTDywD96B0SS80




Crumb was born in 1943 in Philadelphia, Penn. After high school, he moved out to Cleveland where he took a job designing greeting cards for the American Greetings Corporation. After experimenting with LSD, Crumb left for San Francisco, where he created Zap! Comics and co-founded the underground comix movement, a trend of self-published comics spawned by the 1960s counterculture that often took aim at sexual taboos, drug use, and the establishment in general.
...
Crumb's work is a monument of the counter-culture movement, a virtual middle-finger pointed at the monotony and conformity of 1950's middle America and in many ways, the formulaic, basic approach being taken to comics up until that point in time. Crumb works to ridicule not only the establishment, but the middle-class hippies who rebel for the sake of rebelling.
One comic called "Squirrelly the Squirrel" works to lampoon Tom-and-Jerry-like antics that are all-too repeated in cartoons. After Squirrelly finds out that his arch-nemesis, the Fox, has become a vegetarian, he stomps all over his garden and permanently blinds him with insecticide. Squirrelly later runs into the Fox, who strangles him after Squirrelly tricks him into burning himself, and is thrown in jail.
Crumb also satirizes counter-culture with a comic called "Jumpin' Jack Flash" about a miscreant who tricks his followers into stabbing each other for his sexual pleasure. The comic ends with Crumb telling us that it "proves women are no god dam good!"
Another comic on display is Crumb's iconic "Fritz the Cat." The comic chronicles how Fritz mischievously manipulates some na've young hippy girls into coming with him to a friend's apartment for a smoke session and bathtub orgy. As the orgy grows in numbers, the police kick in the door and Fritz escapes in the confusion caused by a toilet exploding. Fritz then mugs a socialite on the street to disguise himself and makes his way to the park he was originally staying at.

